UMBDENSTOCK Jean-Pierre, glass sculpture, permanent artist of Galerie Capazza since

Glass and word

Between glass and written language there is an age-old relationship. Indeed, the coming of the despotic omnipotence of the Word, which proscribes the image, coincides with the invention of glass. Strangely compelling, halfway between figure and sign, glass is the neutral element for the image and therefore tolerable. Material of passage, or better, seepage, glass does not represent, it transmits.
(…) Both present and absent, its ambiguity would enchant a walker on the tightrope between conceptual and baroque, who without falling would blow in onto the slender ridge between image and script. But where is the dividing line?
Beyond Art no doubt.


Jean-Pierre Umbdenstock

Biography

Stained-glass maker at studio Le Chevallier from1974 to 1978

Initiation into the technique of the blown glass at l'Atelier du Verre of Sars-Poteries, then at Claude Morin’s.

First studio in Ongles, Alpes-de-Haute-Provence in 1980.

Participates to the first Symposium International du Verre de Sars-Poteries in 1982.

Prize-winner of a Research grant and Creation awarded by the Ministry of Culture (CNAP) in 1983.

Stay at California College of Arts & Crafts -Oakland (San Francisco) under the direction of Marvin Lipofsky

Settles down in Namur where he shares the studio of Véronique Lutgen, his wife.

Co-founder with Louis Mériaux of the Summer University of Sars-Poteries in 1985, he is the coordinator and supervise numerous introductory and improvement courses there until 1987.

Feasibility study, conception and installation of the Verrerie de Phoenix - recycled glass—in Mauritius (1990-1991)

Project leader for the creation of an international center of glass in Meisenthal (Lorraine) in 1990.

Gastdozent in Hochschule der Bildenden Kunst in Sarrebruck from1992 to 1995.

Project leader by the Interministerial Delegation for cities (1994)

Freel-ance designer at Cristallerie Royale de Leerdam. Série unica 1995.

Invitation at the European congress Waste and Insularity in Ajaccio in 1995.

Associed with Véronique Lutgen and Robert Houri, settlles, in 1995, a new studio in Saint-Gobain on the historic site Manufacture royale des Glaces, created by Colbert in 1665.

Project leader in the City of Ajaccio within the framework of the program ECO-MED-VILLESI

Closing of Hyalos studio

Invitation to l'Atelier du Verre de Sars-Poteries during 10 days on the occasion of his(her,its) fence(close) (2000 ) before the inauguration of the new workshop(studio). Teaching at Cam Ocagi - The Glass Furnace Istanbul (Turkey) 2002-2003

Residence Museum of Sars-Poteries (septembre à novembre 2002)

Coordinating project OSSIDIANA (Ajaccio) Construction site of insertion (january to september 2003)

Décédé en janvier 2011

Public collections

1982
Musée des Arts Décoratifs—Paris, France, France

Collection du Symposium International de Novy-Bor, Czech Republic   
1983   Musée BSN Veauche, France

Musée des Beaux Arts de Bordeaux, France

1985
Musée du Verre de Sars-Poteries, France

1986
Ministry of Foren Affair of Belgium

1987
Musée Unterlinden, Colmar, France

Musée du verre de Meisenthal, France

Fonds National Art Contemporain, Paris , France

1988
Presidency of the French Republic

1989
Musée d'Annecy, Don Irving J Borowsky, France

1990
Collections régionales, Rouen, France

1992
Musée du verre de Meisenthal, France

1993
Reinbach Glasmuseum, Germany

1995
National Glasmuseum Leerdam, Netherlands

2000
Musée du Verre de Sars-Poteries, France

Glasmuseet Ebeltoft, Denmark

2003
Musée du Verre de Sars-Poteries, France

Glasmuseum Alter Hof Herding, Glassammlung Ernsting, Germany

Musée du Verre de Conches, France

2009
Musée d’Opale Sud, Berck sur Mer, France

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